An artist from time Essay Example | Topics and Well Written Essays - 1500 words

An artist from time - Essay ExampleHis major interest was charitable psychology, his portraits and self-portraits exhibiting his penetration of character.Rembrandt was the ninth and the most gifted child of a miller and a baker. After complete a Latin school he was sent to the university. His inclination to painting made his parents give him in apprenticeship to the local painter Jacob Isaacszoon van Swaneneburg (1619-22). However, Rembrandt got his chief training during the six month (around 1923) of apprenticeship in the studio of Pieter Lastman, the capital of The Netherlands leading painter of biblical, mythological, and historical pictures of that time. Here Rembrandt learnt to draw grand subjects in a broad format, paying(a) careful attention to striking gestures, compositional grouping, the details of ancient costumes and setting. It was here that Rembrandt got acquainted with works of the major baroque artists, with their interest to light and shadow and human emotions. T he baroque style was characterized with naturalistic illusionism, underlined by dramatic lighting effects, high sense of theatricality, movement of forms and energy. Baroque artists strove to make art close and clear to common land people. Unlike the Renaissance art with its focus on reason, Baroque paintings represented emotions, capturing the most dramatic points of the action occurring (Heindorff 2006). Rembrandt learnt the art of gesture and light from Elsheimer, Caravaggio, van Honthorst and other representatives of the baroque style. At the age of 22 Rembrandt undefended a studio in Leiden, and in 1627 started accepting students. Later in 1631 Rembrandt moved to Amsterdam, became a lord portraitist and had students, among whom were most of the future prominent artists of Holland. (Encyclopedia Britannica 2006 Heindorff 2006).Danae, the mythological painting of 1636, relates to the early Amsterdam period in Rembrandts career. It was the time when he emulated the baroque sty le of Rubens. As usual, Rembrandt denied the